Conan has returned to the sea in "The Gem in the Tower." According to my copy of Conan The Swordsman (the 2002 hardback which seems to have once belonged to the library in Tempe, Arizona), the prologue states that Conan is now in his middle thirties. Though his days on the sea with Belit are far behind him (and let's be real, were extremely short to begin with), his nickname "Amra the Lion" still carries a lot of weight, gaining him a first mate position on the ship the Hawk with a group of Barachan pirates. The prologue notes that Conan will be with these Barachan buccaneers for quite some time, but there really aren't that many Barachan pirate stories in the Conan canon. "The Gem in the Tower" is a decent Conan story, but it never really rises above decent. Weirdly enough, it's a rewrite of a Lin Carter story, "Black Moonlight," featuring an original character named Thongor. While we've read four different stories that began their lives as Conanless Howard tales, and several others that began life as Conan stories but then first saw publication with the Hyborian Age serial numbers filed off such as "The Frost-Giant's Daughter" becoming "The Gods of the North," we've never yet read a story that started as a Conanless tale from someone else. The weird thing to me is that "Black Moonlight" was already a published story in 1976. Like, it was already out there for the public. So when Lin Carter rewrites it to have Conan in it and puts out "The Gem in the Tower" two years later in 1978, I get a little confused. "Black Moonlight" is still available and everything; you can read it for free online in Fantastic, where it was originally published. My question is: if you're Lin Carter, why do you do this? It's not like one of Howard's unpublished stories that made its way to the page as a Conan story first. Can you imagine doing this in any other medium? Like two years after a sci-fi movie comes out, the same director gets hired to do a Star Wars film and just does the same movie from two years ago but with Star Wars characters and locations? It feels a little bullshitty, and makes Carter seem like a hack who was just hoping to profit off of using Conan's name. I don't know. It's weird. I'll get back to the actual story now.
That issue of Savage Sword also has a totally ripping cover with art done by Nestor Redondo, which I've put at the top of this page. It kind of makes me wish more comic covers had elements like lightning and fire. Conan's moved on to a new part of his career. Gone are his mercenary days (for now) and his second stint at piracy has begun. I'm not sure if this is only going to be a two-story stint with the pirates, though I've read other stories of Conan's runs with the Barachan pirates (Savage Sword issue 72, for example), so those may exist more elsewhere. One thing that I find interesting is that in this post about the novel Conan: The Road of Kings, Gary Romeo over at Sprague de Camp Fan publishes a letter from L. Sprague de Camp about some of his planned Conan books and their chronological order. He places it right after "Drums of Tombalku," and I've obviously filled that gap in with a few other stories.
I think when I'm done with my chronology, I'm going to try to fit as many Savage Sword stories as I can into the chronology and see where they sit. But right now, here's how I'm breaking up Conan's career to this point. The Coming of Conan
★★★☆☆
0 Comments
Leave a Reply. |
AuthorHey, I'm Dan. This is my project reading through the career of everyone's favorite sword-and-sorcery character, Conan the Cimmerian, in chronological order. Archives
January 2026
Categories
All
|
Proudly powered by Weebly

RSS Feed