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Chronologically Speaking is a series focused solely on placing the Conan of Cimmeria stories in timeline order. It's an analysis of only the text of Robert E. Howard's original Conan tales. I'm examining the stories one at a time, in publication order, to show explicit chronological notes to order the stories. "The Frost-Giant's Daughter," like many posthumously-published Conan stories, had a pretty circuitous path to publication. I spent a while talking about that path in a recent video I did called "The First(?) Conan Story: The Frost-Giant's Daughter." If you want to go in-depth about the very interesting publishing history of the story, you can watch that video, but here's the much-abbreviated version. "The Frost-Giant's Daughter" was written in March 1932, very soon after "The Phoenix on the Sword," making it the second Conan story written, and the first conceived as a Conan story. It was rejected by Weird Tales editor Farnsworth Wright. Howard sent the story to the fanzine The Fantasy Fan in late 1933 after having made edits to it, retitling it "The Frost King's Daughter," before the zine published it under the title "Gods of the North" in March 1934. L. Sprague de Camp made further edits to the story and published his version in 1953 in the magazine Fantasy Fiction and then the Gnome Press book The Coming of Conan. But the original, unadulterated Howard cut of "The Frost-Giant's Daughter" would not be widely available until it was published in 1976 collection Rogues in the House from the publishing house Donald Grant. That's almost 45 years from pen to publication! It also really muddies the waters as to what version you're reading at any given time. Many places online will present the edited de Camp text or the original Howard text and yet attribute them to The Fantasy Fan's '34 version. But enough about our real-life placement of the story. This is one of Howard's shortest Conan stories (about 3000 words) and one of the most difficult to place chronologically. It's not overflowing with timeline markers and those that are there need to be interpreted pretty heavily.
While this is great art, a small part of me always bristles at dark depictions of this story. The story is blindingly bright. With just the above to guide us, I don't think that the story is very strongly anchored to any specific point in Conan's life. In this series, I ignore all paratext and focus only on the text of Howard's stories, but just for fun, let's see what others have said. John D. Clark's revised chronology places the story after "Queen of the Black Coast," but I think his reasoning is thin: Conan wears a horned helmet in both: "His horned helmet was such as was worn by the golden-haired Aesir of Nordheim." As I've explored before, I find it more likely that Conan wears or comes across or owns similar items like a horned helmet or red cloak more often than once. Howard himself had a word on the subject in his famous correspondence with Clark and P. Schuyler Miller that helped birth "A Probable Outline of Conan's Career" in 1936. Howard wrote, "There was a space of about a year between Vanarium and his entrance into the thief-city of Zamora. During this time he returned to the northern territories of his tribe, and made his first journey beyond the boundaries of Cimmeria. This, strange to say, was north instead of south. Why or how, I am not certain, but he spent some months among a tribe of the Aesir, fighting with the Vanir and the Hyperboreans, and developing a hate for the latter which lasted all his life and later affected his policies as King of Aquilonia. Captured by them, he escaped southward in time to make his debut in print." So it seems likely that Howard considered this the first story too, even prior to its official publication. Dale Rippke's Dark Storm Chronology, which I think is one of the best out there, opines that "The Frost-Giant's Daughter" may have been moved out of first place because of the rapey vibes, choosing a more palatable story to be the introduction if someone was choosing to read chronologically. Here's a fun side note: in the "Gods of the North" version published in The Fantasy Fan in 1934, Conan is swapped out for "Amra of Akbitana." This version, assuming Amra and Conan have the same life trajectory, would have to place the story much, much later in the chronology, since Amra states exactly how far he has wandered: "Far have I wandered, from Zingara to the Sea of Vilayet, in Stygia and Kush, and the country of the Hyrkanians; but a woman like you I have never seen." This would place the story at least after a mercenary and pirate period. Ignoring everyone else's two cents on the subject finally brings me to sharing my placement. I am indeed putting "The Frost-Giant's Daughter" as the very first Conan tale. This is not because I think it's strongly tied to his youth - it's not - but because it doesn't really fit anywhere better. Howard had conceived of Asgard and Vanaheim and the wars between their people in "The Phoenix on the Sword," the very first Conan story to be published, so perhaps he felt he'd expand on the idea in the second. In relation to other tales, it probably needs to happen before "Queen of the Black Coast," which I have listed sixth. But the characterization of Conan seems closer to the "God in the Bowl" Conan than any other, so I place it first. Here's the updated chronology:
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I seem to be somewhat in the minority in thinking that "Jirel Meets Magic" is probably the worst of the Jirel of Joiry stories. It's a little bit hard to tell since there aren't a lot of people out there writing about Jirel, but most of the blogs and other reviews I can find really enjoy this piece, perhaps with the exception of Bobby Derie over at Deep Cuts in a Lovecraftian Vein, who calls it "a very generic heroic fantasy story" and "a solid, enjoyable potboiler." Published in the July 1935 issue of Weird Tales, this is the third Jirel story that had made the page, following October 1934's "The Black God's Kiss" and December '34's "Black God's Shadow." Bobby includes a quote from an HP Lovecraft letter that I think really nails it: "July W T is pretty mediocre—though it was refreshing to see Hectograph Eddie with a new plot. The Moore item was excellent—even though it seems to shew a tendency of C L M’s to drop into a rut." I agree: Jirel seems to be in a bit of a rut. Looking back through the Weird Tales letters column, "The Eyrie" (which I always want to pronounce like "eye-ree," but I commonly hear people pronounce it the exact same as "eerie" and the WT staff themselves apparently pronounced it as a rhyme with "dairy"), it's clear that readers contemporary to publication also really loved this story. I love old-fashioned letters columns like this. I imagine that in a time like the 1930s, it provided a real sense of community in readership and a total rush if you happened to see your name published in your favorite mag. Clifford Shine of my home of Denver wrote in the September '35 issue, "My favorite stories in the July issue are Jirel Meets Magic by C. L. Moore, and The Avenger from Atlantis by Edmond Hamilton. My two favorite authors are Robert E. Howard and C. L. Moore." B.M. Reynolds from up in Massachusetts wrote, "C. L. Moore, with a long line of successes already to her credit, certainly gave us the best to date in Jirel Meets Magic. Moore's stories are following, more and more, a trend toward sheer fantasy, of which there is a pitiful lack in present-day fiction. Parts of this story were strongly reminiscent of A. Merritt's imaginative descriptions, and I hardly believe a better compliment could be given a writer than to compare one with the incomparable." Carleton C. Ames from Minneapolis wrote, "I have just finished the July 1935 issue. The leading story therein, in my opinion, is C. L. Moore's Jirel Meets Magic. As far as that goes, Moore's stories are the best that you have published." A letter-writer known only as C. B. H. from NYC said, "Jirel Meets Magic was the best Jirel story, in my estimation, that I have ever read. Jirel is my favorite character." And sometimes writers ignorant of the fact that C. L. stood for "Catherine Louise" would sometimes assume that Moore was a guy while heaping praise on her, as Jerry Laird from Topeka does in the August '35 Eyrie: "I find your magazine highly entertaining, especially those masterpieces of fantasy by C. L. Moore. His inimitable style and word pictures, combined with an unbounded imagination, certainly put him in a class with Merritt and Lovecraft. Julbi, in my opinion, surpassed anything else he has written, with the exception, perhaps, of Shambleau." I wish I felt the same way about "Jirel Meets Magic." In speaking with modern-day Jirel author Molly Tanzer recently, she noted that in every Jirel story, Jirel enters some kind of magical land (except in one of hers!), and you can see that pattern here. In the first two stories, she crossed over into a hellish dreamland deep underground. In this one, she goes into a purple-skied world through a magic window. Soon, we'll see her go into The Dark Land and then into Hellsgarde, but all in good time. The setting here is, at least in my estimation, not quite as alien-beautiful as her underground hellscape or as utterly terrifying as the Dark Land, or as indelible as Hellsgarde. Unfortunately, I don't find Jarisme to be quite as engaging of an antagonist either, nor Giraud, probably because their emotional stakes with Jirel aren't ratcheted super fucking high like they are in previous stories. Also, what's with this title? Jirel has met magic before, at least twice. Why is this the one that's called "Jirel Meets Magic?" I know it's not that C.L. Moore had forgotten- page 36 of the story says, "Jirel shrugged after a moment's bewilderment. She had met magic before." Don't count me a total naysayer, though. This story still has a bit of fun to be had. Specifically, it continues to show off Moore's skills as a fantastic character artist. Jirel's early exchange with Jarisme in which Jirel "smiled her sweetest, most poisonous smile" is filled with great character moments. The two of them spar verbally for a moment, and Jirel shows that she would make a decent battle rapper, responding to a question essentially asking "You think I can be bought?" with "You will forgive me. At the first glance at you I did not think your price could be high..."
I've always wondered if Jirel was less of a favorite character to Moore than Northwest Smith, and so perhaps she was a little less invested in the yellow-eyed maiden of Joiry than other characters. Either way, even C. L. Moore's most mediocre is pretty much anyone else's best. XNOO is a new sword & sorcery mag from the Merry Mushmen, and the Kickstarter goes live soon! They hit me up a few months ago and wanted to snag two pieces of my writing for it! I just got the unedited proofs today, and it's a wild feeling to see a printed byline (my first!) and original art! There's a focus on comics, so there's tons of cool original comic art in here! I hope you check it out! Here's a link to the Kickstarter.Chronologically Speaking is a series focused solely on placing the Conan of Cimmeria stories in timeline order. It's an analysis of only the text of Robert E. Howard's original Conan tales. I'm examining the stories one at a time, in publication order, to show explicit chronological notes to order the stories. If you've been following this series, you know that we're now past the end of stories which Robert E. Howard saw published in his lifetime. Like the Nestor synopsis, better known under the title "The Hall of the Dead," given to it by L. Sprague de Camp, was not released in its original REH form for decades. Likewise, "The God in the Bowl" was out for decades, with heavy de Camp edits, for over two decades before the original was published. The de Camp version made the page in the magazine Space Science Fiction (a fitting place to publish it, since it is definitely a science fiction story set in space) in September 1952, though it had been written as just the third Conan story, all the way back in 1932. The version that appeared in Space Science Fiction was heavily edited by L. Sprague de Camp, and the original Howard version wouldn't see print until 1975 in the Donald Grant "The Tower of the Elephant" publication. As a reminder, I'm not only using the Howard version for this column. This story is quite a bit shorter than most of Howard's Conan stories, but is really interesting, chronologically speaking. There's quite a bit of debate about the earliest Conan stories ("The Frost-Giant's Daughter" and this one in particular are rather controversial) and which order the thief stories occur in. The traditional wisdom is that the thief stories take place in an east-to-west direction: that is, we go from Zamora to Corinthia to Nemedia ("The Tower of the Elephant," "The Hall of the Dead," "Rogues in the House," then "The God in the Bowl"). That's the way I thought it should go, and it's the way I followed when I did my first chronology. But I think a close reading of the stories supports the idea that it should go from west-to-east, starting with Numalia in Nemedia before going to the unnamed Corinthian city-state, and finishing in Zamora the Accursed, AKA the City of Thieves. I also think that the pendulum is shifting in this direction, as it appears to be the chronology that Heroic Signatures and Titan Comics are following as well. Here are our chronological hints:
I think the traditional wisdom stated up top makes a little more sense if you're also including the L. Sprague de Camp material in your chronology- "Legions of the Dead" and "The Thing in the Crypt" send Conan more eastward across Hyperborea, but the fact that Conan seems so naïve (I love the line in which Arus indignantly tells him "I am the watchman, knave!" That shit is hilarious) and poor at thieving puts this story more to the front. If you'll notice, this moves "Rogues in the House" up several placement as well. Additionally, I think there's a not-insignificant desire to put "The Tower of the Elephant" as the first thief story (if not the first Conan story altogether) because it's such a good one and works as a fantastic introduction to the character and the world, but if we're applying a formalist approach to the chronology, we have to ignore that. I have to place it as the first of the thief stories. That brings our chronology to this:
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AuthorHey, I'm Dan. This is my project reading through the career of everyone's favorite sword-and-sorcery character, Conan the Cimmerian, in chronological order. Archives
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